Episode 1.2
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She asks her sister to help her out with the birth certificate, since she knows someone from city hall. Her sister reminds her that paperwork is easy, but raising a child is not.
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Rosa Mia accosts the vendor, thinking that the baby is Emilia Rose, but she eventually realizes that the baby is not hers.
Rosa Mia visits Emilio in jail and once again blames him for the loss of their daughter. She asks him what she is to do with money without their daughter.
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Despite his pleading, she departs, leaving him holding her wedding ring.
Adora is at home admiring Dorina in her crib when her sister, Miranda, asks whether Adora really plans to keep the baby. Adora says she knows what she is doing.
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As Miranda leaves the room, Adora picks up baby Dorina and realizes that the baby is running a fever. She calls Miranda and the two of them rush to the hospital with the baby.
At the hospital, the doctor says that Dorina has bronchitis and has to stay inside an oxygen tent to help her breathe. He gives her a prescription for the medicine. Adora asks Miranda if she has money, since she only has enough to pay the doctor and will not have enough to buy the medicine.
Miranda once again asks Adora to consider returning the baby, or perhaps bring the baby to DSWD. Adora resists the idea, saying she'll soon pay Miranda back. Miranda points out that Adora has lost her job because of the baby and will be unable to find a new one because she's busy with the baby. Adora insists she'll figure out how to handle the finances.
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In the montage that follows, we see baby Dorina growing up with Adora's loving care.
Unfortunately, she still requires frequent hospital visits.
We also see Emilio still in jail, serving his time.
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As the audience applauds, we see that she has an admirer in the audience, a man who is seated in the front row.
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[ Commercial break ]
We see Rosa Mia signing a contract with Lauro Calma (the man who had admired her performance in the nightclub), as he congratulates her for becoming a member of the LaCalma Recording Company.
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Lauro tells his son that Rosa Mia will be the one to save their recording company. Larry asks about their company, and Lauro says he'll explain everything to Larry when he has graduated and is at the helm of the company.
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The scene shifts to Adora and Adorina singing along with Rosa Mia on the television.
Emilio, still in jail, is also watching her performance in the recreation area.
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We also see two women watching Rosa Mia from the side of the stage. One of them is apparently a singer and the second lady is her personal assistant.
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Miranda, Adora, and Adorina are home when a very pregnant Miranda appears to have cramps. Adora predicts that the baby will be a boy, and suggests that they name the baby Bencho.
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They greet an elderly lady as she walks past with a young boy.
Dorina asks about the boy, and Adora says she hears he is an orphan and is the grandson of the elderly lady.
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They resume their chores, but Dorina starts feeling ill and drops a tray. Adora rushes to her side to take care of her.
[ Commercial break ]
Dorina is resting in bed as Adora watches over her, while Miranda looks on. They worry about the expense of Dorina's frequent attacks, but Adora stresses that they should keep helping each other.
We learn that the father of Miranda's baby has abandoned them and the two women have been left to fend for themselves and the children. At Miranda's prompting, Adora promises to always take care of Bencho. She reminds Miranda that they should take care of each other.
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The doctor tells Adora that Miranda had long had a tumor in her uterus, but had refused to let Adora know. The tumor could have been operated on, but the pregnancy would have been at risk, so Miranda left the tumor untreated, which led to her death.
[ Commercial break ]
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Another reporter asks her about her "Crying Diva" title, and she replies that the title was given to her by the press. They ask her who she remembers when she's crying, and Rosa Mia is unable to answer.
Lauro interrupts the proceedings and makes their excuses. Backstage, he tells her that no one should know her secret; that he has not even said anything to his secretary or to his son, Larry. He urges her to move on and forget her past, that perhaps her husband has also forgotten her. It seems she has not yet recovered from her loss.
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The landlady arrives to collect the rent that Adora owes her, apparently for three months already.
Outside, the neighborhood kid, Oman, approaches Dorina and introduces himself. He extends his condolences. Dorina angrily tells him to stop talking to her.
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Oman offers her his handkerchief, and she accepts it.
Inside the house, the landlady tells her she needs to figure out a way to make ends meet, because the situation cannot go on much longer.
Just then, Oman runs into the house to call Adora, because Dorina cannot breathe. At the hospital, the doctor reminds Adora that Dorina should not be allowed to become tired or to become too hot and sweaty. He gives her another prescription for Dorina's medication. She tells him that she only has P100 left, and he tells her that she should spend it on the medicines.
Dorina is upstairs in her home, watching the neighborhood kids play. Oman invites her to join them, but she says she can't since she has just recovered from her illness.
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We see a montage of scenes where Dorina is pretending to be singing to a microphone as Oman dances beside her. It is obvious that the two kids have become good friends.
It is night once again, and Adora is about to prepare a bottle of milk for the baby when she realizes that she is all out of milk powder... that she has nothing left but water to feed the baby.
[ Commercial ]
A customer of the carinderia approaches Adora to ask if she has other dishes to sell, and Adora says that she doesn't have more because she couldn't afford to buy the ingredients.
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Sitting in church with baby Bencho, Adora asks God if He is punishing her for not returning Dorina to her father. Crying, she asks God to help her because she does not know what to do anymore.
Outside the church, Adora cradles baby Bencho as Dorina plays. In a montage of scenes, we see Adora continue doing her best to take care of Dorina and Bencho, but eventually she realizes she cannot take care of them anymore.
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The nun urges Adora to spend some more time to think about her decision. Adora tells her to go ahead and start the papers, because it will be best for the children.
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